She would then inspect them. During the illusion, Dr. Drew will enter the room and pretend to be John, only to become a … 8:30pm PT This spiritual successor to ‘What Ever Happened to Baby Jane?’ is slow at … “Trimmed perfectly in line, then curled in a circle. well, let Davis explain: “For a goddamn week in Baton Rouge, she brought twenty pieces of With production on Hush…Hush, Sweet Charlotte wrapped, the series flashed forward between 1969 and 1978 to showcase Crawford's slow decline … Do you still feel that way? Hush, Hush, Sweet Charlotte. We wondered what they were talking about. How strong is born out by "Cousin Charlotte"; I've never seen the movie based on that story ("Hush Hush Sweet Charlotte"), but you can see why it went to film. You know, it's sort of like this – whoever ended up dying first, that's where the story would have ended. “I heard the news of my replacement over the radio, lying in my hospital bed,” said Joan, having gotten a Davis-administered dose of her own medicine. Was Bette playing with the press with her "Joan's dead, good" quote? This spiritual successor to ‘What Ever Happened to Baby Jane?’ is slow at … Use of this site constitutes acceptance of our User Agreement (updated as of 1/1/21) and Privacy Policy and Cookie Statement (updated as of 1/1/21) and Your California Privacy Rights. Privacy Policy | I would say that just because it's Joan's death, Bette is the survivor in the story. Understandably, the actresses were reluctant to re-team given their history. Whereas Joan lost everything. https://www.slantmagazine.com/film/hush-hush-sweet-charlotte You mentioned omitting a real-life moment, You've said the real tragic character in this is Joan. We thought, “Well, we have a great first image so maybe that should also be the last image.” That moment, right when all the possibility was pregnant and it could have gone any way. So the weight and the gravity of everything that came before ends up resting on Bette Davis' unpadded shoulders. There were reports that when Joan was in her last days she was hallucinating and having conversations with people who were no longer alive. In what might be the most surprising aspect of Hush…Hush, Sweet Charlotte, Bette Davis is not the most laudable performance of … outfits for the daytime scenes, and for the night shots all of her That was a watershed moment for both of them and it made real, it made flesh and blood, a kind of legendary rivalry that had been more theoretical than anything else. In the end, another officer shoots the worthless captain, and one of the enlisted men asserts, “Speaking of … There’s an iconic photograph of the real Bette and Joan sitting in those chairs as well where they look like they’re laughing. © 2021 The Hollywood Reporter, LLC. Basically, he followed her into Beverly Hills. She would say to me, ‘Don’t fuck with my face.’”). | Do Not Sell My Personal Information To revisit this article, visit My Profile, then View saved stories. Tim Minear talks with THR about 'Bette and Joan's' ultimate goodbye and what was left on the cutting-room floor. Charlotte Hollis, an aging recluse driven into dementia by horrible memories and hallucinations, lives in a secluded house where her married lover, John Mayhew, was beheaded and mutilated thirty-seven years before by an unknown assailant. . I might wind up on the cutting-room floor.’”. At times it's from Joan's point of view or it's from Bette's point of view. Add more and vote on your favourites! Of course the off-screen melodrama of Crawford and Davis’ ‘feud’ and their personal difficulties were also a point of discussion. While Whatever Happened to Baby Jane is a very well known ... with the apparently sweet Cousin Miriam trying in vain to explain to Charlotte that there is very little she can do to prevent demolition of the family home. Do you think Bette and Joan were really on each other's minds their whole lives? Synopsis Forty years ago, on the night they were meant to elope, Charlotte Hollis (Bette Davis) found her lover decapitated during a party, the blood on her dress leading everyone to suspect she was the murderer. I would layout six pair for her on the table. George Cukor later reflected on Davis’s stone-cold set strategy: “She wanted to make a basket case out of Joan, and she almost succeeded.”, To further chip away at Crawford’s ego, Davis also coordinated group outings, cast and crew dinners, and other after-hours activities, inviting everyone except Joan. In Baby Jane Blanche’s ally, and cleaner, Elvira (Maidie Norman), is killed by Jane while Velma (Agnes Moorehead) Charlotte’s housekeeper and friend in Hush…Hush … suffers a similar fate. Feud has been renewed for a second season, which will revolve around Charles and Diana. So it's like that thing where you send out your investigator when somebody is saying they have whiplash from a car accident, and then you catch them playing tennis. Hush, Sweet Charlotte is somewhat overacted and certainly over-the-top, but an effective, very modern and highly underrated psychological thriller horror flick that’s a classic in my opinion. It would be fun if they did a special Halloween Sweet Charlotte tour with characters from the movie. Watchlist Added. | EU Privacy Preferences. With Bette Davis, Olivia de Havilland, Joseph Cotten, Agnes Moorehead. Were there any other audacious scenes left on the cutting-room floor? by On a personal note, the Ryan Murphy series followed the actresses as their respective health declined, ultimately ending with Crawford’s death. She was cleaning up after the other girls, she was making the beds, she was feeding the other girls. Feeling ostracized, Crawford retreated further from the group—spending the majority of her time either avoiding the heat (and crew) in her trailer, or enforcing her compulsive routine on her entourage members including makeup artist Monte Westmore. Given that Joan and Bette never reunited as friends in real life, why was it important to the narrative to add that dream sequence? Also, Joan had a Dickensian childhood where she was, as a 12-year-old, living in a convent school but she was Cinderella before the ball. Did you think about carrying this story out until Bette's death rather than Joan’s? It also showcased the final few filmed segments of the fictional documentary within the story itself, as the producers attempted to flag Davis down to add her comments to the story. Her daughter wrote a book while she was still alive and she was just defiant right up until the end. Feud is an American docudrama television miniseries created by Ryan Murphy, Jaffe Cohen, and Michael Zam, and aired on FX from March 5 to April 23, 2017. So returning to that moment, having been through the story and seeing them at, weirdly, a much more innocent moment, it felt like the right way to end it. THE HOLLYWOOD REPORTER is a registered trademark of The Hollywood Reporter, LLC. In the scene when Bette is being roasted in this episode, half the jokes were about Joan Crawford. It's part Harlequin, part Gothic, part Horror, and all Surprise. Although certain moments in “Abandoned” feel exaggerated for dramatic effect—like Crawford being made to wait for her hotel room, and then being stuck in a room next to the garbage disposal—the episode’s writers actually skimped on the insane details of what actually happened. It would be fun if they did a special Halloween Sweet Charlotte tour with characters from the movie. You mentioned omitting a real-life moment where Bette jumped on a table during a press tour with Joan because it was too unbelievable. AdChoices to spend hours ironing them in the one-hundred-degree weather.”, When Crawford arrived to set the fourth day of filming, Davis had already tactically befriended the local press and crew—the latter of whom she would eat lunch with. Despite her own demands, Davis was quick to make cracks about Crawford’s high-maintenance upkeep and took delight in pointing out the “mounds of hairpieces” Crawford brought with her to cover her thinning hair. To revisit this article, select My⁠ ⁠Account, then View saved stories. To break down the finale's uplifting ending, The Hollywood Reporter caught up with showrunner Tim Minear. She had a stroke. When you read interviews with them both, it's hard to find an interview with Joan or an interview with Bette where the other one isn't mentioned. Vanity Fair may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. It was a black-and-white movie but she had color-coordinated Right at the end, the insurance man gives Charlotte Jewel Mayhew's letter and in the next shot of him, his hands are empty. That's a famous quote, but Susan Sarandon's line reading of that is some of the most brilliant screen acting I've ever seen. She continued to work in films like “The Snake Pit,” “My Cousin Rachel,” “Light in the Piazza” and “Hush … Hush Sweet Charlotte,” among many others. “She would also stand next to director Aldrich while he was filming Joan’s scenes and make loud, negative comments.”, When Crawford woke up from a nap on set one day to discover that the entire production had left the location without her, “Joan was convinced that Davis was behind it, and furthermore that Davis was manipulating Aldrich behind the scenes,” wrote Quirk and Schoell. In this the roles of tormentor and tormented as played out in Baby Jane by Davis and Crawford respectively, were meant to be reversed. It's so simple and any other actor would have just landed that as the insult, the great act-out remark that it is. At that point that was Bette's brand. “I wept for nine hours.” Having recovered enough to roll phone calls to press, Crawford told The Hollywood Reporter, “Aldrich knew where to long distance me all over the world when he needed me, but he made no effort to reach me here that he had signed Olivia. You saw a three-dimensional representation of her complicated feelings for Joan Crawford. “‘She’s practically directing the picture for him right in front of me,’” she complained. There was always a rivalry between them, and the only time they actually made a movie together was Baby Jane. “They always had to be just right,” explained Westmore. I do not wear well with tricks designed to make me do what someone else decides I will do.”, She ended by suggesting Aldrich “re-cast and pay me off. ... the ending could almost be described as a happy one. Hush hush sweet Charlotte? “Crawford wouldn’t listen to you,” said Schiffer, according to Considine. Terms of Use | Hush, Sweet Charlotte Poor Charlotte Hollis. I love that scene at the end of Hush Hush where Bette says "FUCK YOU!" “I’m glad for Olivia,” Crawford told press, from inside her oxygen tent. Hush, Sweet Charlotte.” And on Sunday night’s episode of Feud, “Abandoned,” Ryan Murphy revealed how Davis masterminded her own sadistic revenge on her once-again co-star. . This maneuver explains how Davis found herself sitting at Aldrich’s side throughout filming, why Aldrich obliged Davis’s creative input, and how Davis secured the leverage to properly torture Crawford. It was a servitude position, and Joan made the slaves look like Boy Scouts.”, (In her defense, Davis also liked to do her own makeup: “On Charlotte I had my own makeup concept for Bette,” adds Schiffer in The Divine Feud, “which lasted about five minutes. When her fellow Oscar winner balked at the part, Davis sent Aldrich to meet her in person in Switzerland and convince her to take the role. Become A Better Singer In Only 30 Days, With Easy Video Lessons! On Sunday, April 23, the Feud between Hollywood icons Bette Davis and Joan Crawford will come to an end, as the hit FX series airs its Season 1 finale. You know, there's a fantastic story to be told about Bette Davis and her decline, but this story ended. But a lesser-known Davis-Crawford battle followed—on the set of another Bob Aldrich–directed psycho-thriller, *Hush. And it also imbued that moment with all kinds of poignancy. Amber Dowling, Jean Bentley, [This story contains spoilers from the season finale of FX's Feud: Bette and Joan.]. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. . Hush, Sweet Charlotte in 1964. With production on Hush…Hush, Sweet Charlotte wrapped, the series flashed forward between 1969 and 1978 to showcase Crawford's slow decline as she hit the lowest of lows for her work on the B flick Trog. It's sort of that scenario. Later in production, when Aldrich refused to expand her part and take her character suggestions, Crawford—left with no way to legally quit the picture—took herself to Cedar Sinai hospital. Sound off in the comments below. “Maggie Donovan, who had been my hairdresser for years, said to me one day, ‘We’re up to our asses in Crawford’s hairpieces,’” said Davis, per Considine. But it's really funny. We were trying to figure out what the great last image would be. “She needed the part.”. 37 years earlier her boyfriend, John, was brutally murdered. And this guy, his report of following her is so hilarious because you learn nothing. And, of course, she was sexually abused by her stepfather and still was taking responsibility for that. But once one of those two women ceases to exist, that story is told. She was paying for her room and board by doing this menial labor, cleaning toilets. Travel guide to filming locations for 1964 horror classic Hush... Hush, Sweet Charlotte, with Bette Davis and Olivia de Havilland, in Louisiana. To truly send Charlotte to the loony-bin for all eternity, they decide to feed her some drugs, play a song called “Hush...Hush, Sweet Charlotte” and make her hallucinate the very party she found John Mayhem's body. As "Feud" comes to an end we look at what really happened to the real life Joan Crawford and Bette Davis and other Golden Age actresses like Joan Blondell, Rosalind Russell and others. The cast also included Mary Astor, a friend of Davis' since their days at Warner Bros. and after filming Hush...Hush, Sweet Charlotte, Astor retired from acting and died in 1987. They were inextricably tied to each other after Baby Jane, for sure. “I’d wake her up at six,” Westmore told Considine of his time with Crawford in Baton Rouge. It wasn't about Joan and it wasn't about Bette. “Davis [also] made sure that everyone, including members of the press and distinguished visitors to the set, knew that Joan was really 60 years old,” authors Lawrence J. Quirk and William Schoell write in Joan Crawford: The Essential Biography, before revealing another Davis tactic. So there's some predicate for that kind of mania in the end stages of her disease. . Left, from Everett Collection; Right, by Nina Prommer/PatrickMcmullan.com. By now, Feud audiences are well acquainted with two of the most notorious chapters in Bette Davis and Joan Crawford’s shared Hollywood history—their rivalry during the making of What Ever Happened to Baby Jane?, and the ugly Oscars aftermath—in which Crawford found a way to hijack what Davis thought should have been her best-actress statuette. Now, in 1964, Charlotte is an old recluse and must fight to keep her home. Though she’s far younger than the psycho biddies of that era, Ambrose’s Dorothy perfectly mirrors the unhinged aggressors of … While Whatever Happened to Baby Jane is a very well known film, its follow up, Hush, Hush, Sweet Charlotte is rather more obscure.. They had always been pitted against each other, even when they were at different studios, and then certainly when they were at Warner Bros. “She’d exercise a little bit while I set out her makeup. Absolutely. And that's really what that impromptu late, late-night party at Joan's house fantasy scene is about. There were witnesses to that. For example, according to Shaun Considine’s Bette and Joan: The Divine Feud, Crawford arrived at the Baton Rouge airport with a full entourage—including her hairdresser, makeup artist, and enough baggage to . “That was obvious throughout the filming of Baby Jane—and the suicidal desire this put me into many times, was almost more than I was able to bear. What did you think of the first season? An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative. Hush, Sweet Charlotte is somewhat overacted and certainly over-the-top, but an effective, very modern and highly underrated psychological thriller horror flick that’s a classic in my opinion. How did crafting the final shot of them, on the first day of filming Baby Jane come about? We went through a gross and a half of eyelashes per picture.”, Davis’s makeup artist, Bob Schiffer, concurred—adding that Crawford’s diva behavior didn’t endear her to the crew. 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